АКТУЕЛНО
ACQUISITIONS 2015-2023
ACQUISITIONS 2015-2023 / PURCHASES OF PAINTINGS AND SCULPTURES.
In its fifty-five years of existence, the Gallery of Contemporary Fine Arts Niš has, thanks to various types of acquisitions (purchases, gifts, Art Colony "Sićevo", Graphic Workshop "Sićevo"), formed an impressive fund that currently numbers 1,798 works of art, classified into six collections. Since purchase is the safest and most relevant method of acquisition from the point of view of the value of a work, during the first twenty years of its existence, the Niš Gallery purchased works from numerous exhibitions for its collections, but this process was forcibly interrupted in the early 1990s, with the closure of the city and republic funds for the purchase of works of art due to the deteriorating economic situation in the country. After a long break, the Ministry of Culture of the Republic of Serbia began to announce annual competitions for “financing works of art for the needs of art gallery and museum collections” in 2014. Regularly participating in these competitions, GSLU Niš has purchased 61 works with the funds of the Ministry of Culture, including 2023, including 22 paintings, 16 sculptures, 15 works of new media and 8 works on paper. Since eleven works purchased in 2014 were exhibited at the previous exhibition Acquisitions, on this occasion we are presenting to the public for the first time all the paintings and sculptures purchased in the period from 2015 to 2023.
The exhibition consists of paintings by: Mihael Milunović, Nikola Džaf, Miško Pavlović, Bratislava Basic, Nikola Marković, Pulai Arpad, Ivan Šuletić, Vesna Knežević, Jadranka Mišić Pejović, Ivan Milenković, Srđan Đile Marković, Tadija Janičić, Igor Antic, the DIMTIM group, as well as sculptures by: Mrđan Bajić, Željka Momirov, Gabriel Glid, Dragan Drobljak, Rajko Popivoda, Gordana Kaljalović Odanović, Zdravko Joksimović, Dragan Jelenković, Marko Crnobrnja, Nikola Pešić, Dragoslav Krnajski, Radoš Antonijević, Balša Rajčević, Rade Mutapović and Anđela Grabež. All the purchased works possess high aesthetic and artistic regularity, they typically characterize the individual artistic handwriting of the artist, testify to the dominant motif-thematic preoccupation of the author and to the authentic visual expression. Most of the works contain clear echoes of general social circumstances at their semantic level and represent the author's intellectualized reaction to the characteristics of the current time, expressed in a metaphorical or symbolic manner.
The purchase policy of the GSLU Niš is continuously based on respecting several important principles, namely: unifying the exhibition and museological activities of the institution, adequate monitoring of the national scene, filling the collections with works by artists who are not represented in them or are insufficiently represented. Thanks to the purchases made, the collections of contemporary painting and contemporary sculpture have been significantly enriched with valuable works, the vast majority of which were exhibited in Niš, the number of authors represented in the GSLU Niš fund has increased, and most importantly - the purchases made have significantly contributed to the development of these collections, not only from the point of view of quantitative replenishment, but primarily from the point of view of increasing their overall qualitative value and updating. The exhibition will run until April 6.
STRUCTURES – NIŠ DRAWING 2024
STRUCTURES – DRAWING FROM NISH 2024 STRUCTURES – DRAWING FROM NISH 2024
December 17, 2024 - February 15, 2025
The first exhibition dedicated to drawing as an independent art discipline was organized back in 1991 in the Pavilion of the Niš Fortress and for the next six years it gathered only Niš artists. At the beginning of the new millennium, after a short break, this exhibition grew into a large, significant annual event with a competitive character with a given theme, to which artists from all over Serbia applied. As it gained popularity and an increasing response, each subsequent one was juried.
A total of 94 authors from Niš and other cities in Serbia participated in this year's thirtieth edition, and according to the jury's selection, the exhibition will feature works by 51 authors.
The theme of the Niš Drawing is: STRUCTURES (lat-struete - to arrange, to create)
The figurative approach in fine art has been understood and built from nameless and abstract elements since ancient times. Many contemporary artists have built their aesthetics on the structure of a painting, sculpture, graphic sheet, contemporary drawing or even an installation. We can view structure in the true sense but also comprehensively. Life and social structures, structural orientations, biological structures, sexual structures, political structures, structures of the written word, structures of natural phenomena, structures in music, art, painting, can be terms for visualizing this at first glance simple expression.
The broad understanding of Structure has inspired a large number of Niš Drawing artists, so the works created on the aforementioned theme have been viewed from multiple angles. Most of them stuck to their already recognizable and authentic artistic, intellectual and visual identity, so the exhibition represented a multitude of different techniques and styles. Certainly, the diversity in the understanding of drawing requires a complex reading, drawing attention to the evolution of drawing as a media in the contemporary world of new technologies, which is why, in addition to classic drawing (on charcoal paper or pencil), digital drawing is also represented. While for some artists, the drawing is completely materialized, building a structure of form, color, line, surface. On this occasion, the artists, with their thematic determinants, draw the public's attention to modern man surrounded by globalization, increasing stratification, wars, drastic differences in material status and the struggle for existence. We must mention the influence of social networks on the everyday life of the younger population. The layering of digital media as well as their diverse content can be of great benefit but also harm to society in general. All of the above also affects the contemporary artist, providing him with greater perspectives and information. Therefore, with the abundance of technical possibilities and the creativity of our artists, the exhibition represents a true review of drawing disciplines, which can be divided into several artistic units.
The tradition of classical drawing made in the technique of charcoal, watercolor, graphite pencil and combined techniques in figurative representation is noticeable in Milica Antonijević, Jelena Aranđelović, Miljana Dimitrijević, Ana Cvejić, Anđela Micić, Bojan Otašević, Jovan Spasić, Ivan Perak, Vladimir Randjelović, Sofija Milovanović. With a multi-layered figurative composition performed in pencil and clear ink, Jelena Trajković Popivoda puts drawing on a higher level so that drawing, like life, becomes a game. Expression through nature and natural phenomena is present in the drawings of Biljana Vuković, Jelena Malikov, Slobodan Radojković, Đura Radonjić, Daniela Fulgosi, Tatjana Marticki, while, for example, Jelena Šalinić Terzić, with her monumental depiction of a rocky scene in a relief layered spread of color and line, emphasizes the dominance of nature over man.
The games of geometric shapes and forms, intertwined lines, and circles are dealt with by Vesna Zarev, Stevan Kitić, Danilo Paunović, Jasna Gulan Ruzić, Vladica Ristić, Radovan Stanojev, Milica Rajković, while Dejan Ristić, Tijana Miljković, Marta Pejčić, and Nataša Stanojev use the new possibilities of modern computer drawing and photography techniques.
Nikola Milanov, Anđela Mujčić, Teodora Nikolić, Nikola Marković, Ivana Savić Dragana Kuprešanin, each in their own individual expression, deal with the emotions of modern man caused by personal lived memories or global problems and society.
We observe segments from nature transposed through photography with the rusticity of natural stone in Boris Kandolf. Bratislav Bašić emphasizes the connection with the past of centuries-old culture, art and religion through the remains of our cultural heritage. Many other works realized in abstract representation through drawing, collage, embroidery on paper, canvas generate a broader perspective of understanding structure (Jovana Đorđević, Anica Radošević, Teodora Nikolić, Dominika Morariu). Stylized ornaments from folk handicrafts such as carpets, Nikola Radosavljević, by perforating white paper, wants to point out the equality of everyone in the world and call for truce and harmony. The drawing woven into the stone sculpture of Julija Dubavac takes us back to the ancient past of our ancestors and the drawings in the caves of Altamira, emphasizing the layered intellectual structure of man, that same modern being, the only evolutionary of all mammals on the planet.
Tamara Pešić renames the drawing a warning sign and an anxiety zone of modern society.
The Gallery of Contemporary Fine Arts Niš has been nurturing an exhibition named after its venue for more than three decades and is grateful to the authors who have responded positively to the given topic over the past years and whose works, each in their own unique way, have left their mark on the art of their time.
PLURAL STRATEGIES
EXHIBITION "PLURAL STRATEGIES" - SELECTION FROM THE COLLECTION OF CONTEMPORARY PAINTING OF THE GALLERY OF CONTEMPORARY FINE ART IN NIŠ
Pavilion and Fortress /December 12th at 1:00 PM/
After exhibitions in Novi Sad and Belgrade, the Gallery of Contemporary Fine Arts Niš is organizing an exhibition from its rich collection entitled "Plural Strategies".
The exhibition features 30 Serbian artists from the second half of the 20th century who, as leading figures of their time, left a deep mark on our art history: Mladen Srbinović, Stojan Ćelić, Mića Popović, Milan Konjović, Ivan Tabaković, Zoran Pavlović, Boža Ilić, Lazar Vujaklija, Ljubica Cuca Sokić, Bora Iljovski, Peđa Milosavljević, Olja Ivanjicki, Sinisa Vuković, Mihajlo Petrov, Stojan Trumić, Bojan Bem, Čedomir Krstić, Boško Petrović, Kosa Bokšan ...
During the seventh and eighth decades, in addition to the existence of a number of newly formed individual painting practices, several parallel currents were discernible, so that completely separate artistic languages and innovative artistic phenomena began to exist at the same time.
Different artistic practices in one artist's work lead to the dematerialization of the work of art, penetrating the essence of the visual language. At the same time, new cultural and artistic phenomena begin to deal with existential questions, that is, critical reexaminations of reality. In addition, during that period, a group of artists appears on the Serbian art scene, expressing interest in the renewal of the figure in different contexts.
The selected works of art do not have a connection with the themes or ideas they explore, but as diverse visual achievements with completely individual problem concepts, they represent significant material for researching the development of visual art in these areas. Artists of various stylistic orientations, as representatives of complex artistic developments, participated in the formation of the collection of the Gallery of Contemporary Fine Arts, which today is among the most valuable collections in our country, aspiring to soon grow into the Museum of Southeast Serbia.
https://youtu.be/JPx8n8U4QUg?si=w2UqtvBpg59KJ-WN
Anđela Mujčić "Contemplation"
Anđela Mujčić
Contemplation
paintings, drawings, objects
Pavilion in Tvrđava
November 19 - December 10
Fifteen years of continuous presence on the domestic art scene and evident lexical, thematic and programmatic analogies and dichotomies in artistic work are the reasons for organizing a small retrospective exhibition of paintings, drawings and objects by Anđela Mujčić. Curiously, through the so-called small themes and humor, Anđela Mujčić first led her artistic work along the path of light nostalgia, and with a sense of the lovely and the likeable, then brought it to the field of social relations and latent activism, only to enter the field of spirituality and self-knowledge with her artistic maturation. We follow this developmental line through five cycles of works, a selection of which makes up the current exhibition "Contemplation". These are: "Eternal Game" (2008-2016), "Happy Place" (2016), "Women's Work" (2017-2024), "The Dream of a Funny Man" (2021-2022) and "Mother" (2024).
Anđela Mujčić was born in 1981 in Niš. She graduated in painting from the Faculty of Arts in Niš, specialized at the Faculty of Fine Arts in Belgrade, and received her doctorate from the Faculty of Art and Design in Belgrade. She is an assistant professor at the Department of Fine Arts at the Faculty of Arts in Kosovska Mitrovica, University of Priština.
She has held 25 solo exhibitions and participated in more than 150 collective exhibitions in the country and abroad. She participated in 28 art colonies and art camps in the country and abroad. She spent two months in residence in Paris at the Cite international des Arts, August-September 2016.
She was a member of the Expert Council for announcing the competition and selecting the project for the participation of the Republic of Serbia at the XXIII Triennale in Milan in 2022, under the title "Unknown Unknowns. An introduction to mysteries". She is the author of numerous workshops for students, children and youth and a participant in several international projects and forums.
She has won several awards for artistic work at national events. Her works are represented in several public and private art collections.
She has been a member of the painting section of ULUS since 2010 and ULUKiM since 2012.
https://youtu.be/3czi5vna9lI?si=e7_Ohf4GjyKR8OOW
9. NIS SALON 12/2
The exhibition includes works by twelve artists selected by two selectors. It is a traditional annual exhibition that the Gallery of Contemporary Art Niš has been organizing since 2017, with the intention of promoting cooperation, mobility and communication between artists, critics, institutions and the public. Given that each of the selectors independently and independently defines the concept of their project, the exhibition provides opportunities for dialogue and comparison of different critical discourses.
The selectors of this year's Salon are: Biljana Grković - art historian from Kruševac and Katarina Đorđević - master of painting from Niš.
Biljana Grković focuses her author's project on issues of current social reality, the characteristics of which are, among other things, determined by the concepts of biopower, biopolitics or necrotopics. Her selection includes works by the following artists: Biljana Đurđević, Vladimir Perić, Nataša Kokić, Nikola Radosavljević, Milica Dukić and Gabriel Glid. In the preface to the catalogue, Grković writes: “The selection of invited artists for this year’s edition of the Salon stems from the artistic practice of six artists, which is viewed within the broader context of the possibility of living a “good life” and the circumstances of the dominant forms of global capitalism and neoliberalism. The presented works are separate spaces in which, in different ways and in different media, the modes of the contemporary world are refracted and recognized – destruction, wars, ecological crisis, labor exploitation, the dominance of microdata, consumer culture, a world in which individuality, the individual who recognizes his or her identity, is disappearing. At the same time, they are also spaces that, from completely different artistic positions, immersed in the past or present, open new perspectives, create different worlds, restore hope in human dignity.”
Katarina Đorđević defined her author’s concept with questions that belong to the domain of art theory, apostorizing the characteristics of a work of art and the nature and mechanisms of its impact on the consumer or observer. In the preface to the catalogue, she writes, “The question of sensibility in the contemporary creative scene goes beyond aesthetic categorization – it is based on the induction of emotional responses that are reflected in the audience, encouraging them to engage in the basic thematic framework of the work of art, whereby its reading and experiencing is a dynamic experience that resonates on a personal and emotional level, rather than a mere passive adoption of the content offered.” Katarina Đorđević's selection includes works by the following artists: Aleksandar Dević, Slobodan Radojković, Petar Vujošević, Larisa Ackov, Mija Arsenijević and Lazar Šošević. Their selection is based on the characteristics that connect their work to "introspection as the main guide to creation, tactility, sensuality and sensitivity with which they build their artistic worlds, inviting us to immerse ourselves in and interpret hidden messages".
At the opening of the exhibition, the 9th Niš Salon Award for the most successful work will be presented.
A specially appointed three-member jury decides on the award.
The exhibition will run until December 14.
Biographies of the selectors
Biljana Grković graduated in Art History from the Faculty of Philosophy in Belgrade in 1986. Since 1987, she has been working as a curator at the Art Gallery in Kruševac, which was integrated with the National Museum in 1991. She works as an editor of the exhibition program and curator of the Art Gallery collection. She earned the title of museum advisor in 2010. She is the author of several monographic and retrospective exhibitions that have presented significant artistic opuses. She has been the curator of over 200 exhibitions. She is the conceptual creator and a member of the expert team of the art project Recognition, which has been international in nature since 2007. She publishes reviews and texts in the press, professional journals, collections and exhibition catalogs. She is a member of the Museum Society of Serbia, the Serbian Committee of the International Association of Art Critics AICA and the International Council of Museums ICOM.
Katarina Đorđević graduated and received her master's degree from the Faculty of Fine Arts in Belgrade. She is a full professor at the Faculty of Arts in Niš and vice-dean for international cooperation. She is a member of ULUS. She has studied in Austria and Italy. She has participated in more than 400 collective exhibitions in numerous European countries and in Iran, Canada, Japan, America, Korea. She has exhibited independently in many cities in Serbia and in Turkey, Iran, Bulgaria, Sweden, Italy, Bosnia and Herzegovina, Hungary, Spain, Great Britain. She is the recipient of the Charter of the University of Niš and the Faculty of Arts for her contribution to the development and promotion of these institutions, as well as numerous awards for her creative work in the country and abroad (Canada, Czech Republic, Poland).
LIDIJA UZELAC'S EXHIBITION: "WHERE I AM"
LIDIJA UZELAC EXHIBITION: "WHERE I AM"
PAVILION IN THE FORTRESS 24 October - 10 November
As a curious artist who always strives for new, exploratory processes, Lidija Uzelac uses various visual techniques: paintings, drawings, canvas printing, layered collage fitting, installations, creating a fresh, innovative system.
Problematizing different ways of reading through enigmatic structures of action, in one part of her latest project she forms free, geometrized forms emphasizing the power of color and lines that possess a wide range of meanings, while in the other part she records her intimate states through a portrait of a Renaissance woman as a personification of mother, woman or matrix, alluding to the source and meaning of existence. Defining the flow of her own thoughts, memories and emotions, she skillfully combines materials to form narratives that relate to the phenomenon and essence of being.
Different levels of meaning invite deeper reflection on the relationship between image and space, reality and illusion, emphasizing elements of property in the current moment.
By arranging very carefully clean, systematically shaped geometrized surfaces and lines through a focused, intimate approach, she forms a complex visual language that functions in the coordinate system of personal symbolism.
Observing the painting process as a mechanism for reading the complex human nature, she expresses a clear personal stance, opposing the increasingly present loss of individual identity. In the title of the exhibition “WHERE I AM”, the artist seeks to establish contact with the viewer by drawing attention to the paradoxes of the contemporary social moment. In addition to abstract paintings and drawings, an independent entity is represented by a wall installation called: "Alma Mater", expressing her fascination with the portraits of women of the Renaissance masters, which remained recorded in her memory since the time of her studies in Florence, as an intriguing motif that for her represents a striking level of meaning related to nature, life, love, truth, wisdom, revealing the deeper truths of human existence.
Expressing a penchant for reduced forms, an analytical, layered approach and thoughtful compositional construction, Lidija Uzelac forms her own positions in the complex perception of the world and art.
Lidija Uzelac (1961. Travnik), graduated from the Academy of Fine Arts in Florence, Department of Painting, and then specialized at the Academy of Arts "Brera" in Milan. She completed her master's degree in the class of prof. Radomir Knežević at the Faculty of Arts in Banja Luka. She has organized 24 solo exhibitions in Pančevo, Pirot, Raška, Plovdiv, Smedrevska Palanka, Niš, Belgrade and over 50 group exhibitions in Serbia and abroad. She teaches at the Faculty of Arts in Niš as a full professor at the Department of Graphic Design in the subject of drawing and painting.
The exhibition will run until November 10.
Aleksandar Dević - retrospective exhibition
Retrospective exhibitions of paintings and prints by Aleksandar Dević, marking the artist's 45 years of creative work.
Aleksandar Dević (1954, Belgrade) graduated in 1978 from the Faculty of Applied Arts in Belgrade, where he also received his master's degree. For a short time, he worked as a professor at the Art School "Đorđe Krstić" in Niš and at the Faculty of Arts, participating in the formation of the Department of Applied Arts of this faculty. From 2000 to 2004, he was the director of the Gallery of Contemporary Fine Arts in Niš, where he also worked as a senior associate of the Internet Communications and Publishing Service and was the editor of the gallery's online magazine IIČ. He has had solo exhibitions in many cities in Serbia and in Greece (Volos), America (New York) and Hungary (Budapest). He has participated in more than 50 collective exhibitions in the country and abroad. He has been a member of the Painting Section of ULUS since 1986, as well as the Niš Graphic Circle. He has won several awards, including: the Redemption Award of the SIZ Culture, Belgrade; the Silver Plaque of ULUPUDS and the Special Recognition of the 45th International Festival of Documentary, Short and Animated Film, Belgrade.
In addition to painting, he also works in computer graphics and web design. His paintings and graphics are in private collections in Greece, Germany, the Netherlands, Denmark, America, and France.
With his decades-long oeuvre, Aleksandar Dević creates and perfects his own world of scenes and visions that are beyond the boundaries of rationalism and perceptual experiences, and under the auspices of imagination and fantasy, which makes him a significant successor to that line of development in our art that was started by Milena Pavlović Barili and Radoica Noe Živanović and applied by the members of Mediala.
From the very beginning, he cultivated a specific approach to figuration. In his earliest works, we can sense the influence of myth, legend, dreams... and in the artistic elaboration, a unique combination of archaism and modernism, rusticity and lyricism. The figure is not only the bearer of the plot, but also a witness and a factor of the ambience that is unusual, fanciful, created from differently treated segments and carries an aura of enigma and mystery. In doing so, Dević stepped into the realm of the surreal and metaphysical, which is the basic characteristic of the entirety of his oeuvre, although during the years of creation, changes occurred in the artistic expression itself, in the iconographic content and artistic structure. The nineties in Dević's oeuvre are marked mainly by graphics of wondrous coloristic harmonies, which exude esotericism and an atmosphere of illusoryness with a dominant impression of sophisticated visual art.
In the paintings created in the last twenty years, Aleksandar Dević has added new varieties and approaches to his artistic "legitimization". Occasionally, applying the principle of displaced quotation, he skillfully combined fragments from medieval or Renaissance art with motifs of different origins, creating dichotomously coded imaginary scenes. His latest paintings are full of some unusual dynamics, bravura "architectural" wonders, phantasmagoric machinery, a metaphysical atmosphere that includes a component of life but also a component of its diabolical destruction. The form is futuristically bold, robotic, disassembled and again assembled from a series of parts and details. Possessing a refined refinement towards semiotically complex symbols, he created a series of paintings of the same motif, which is a precedent in his previous artistic practice. Having skillfully and purposefully chosen the motif of the horse/rider, which has multi-layered meanings, mythological, theological, literary and artistic references (the Trojan Horse, the Holy Warriors, Don Quixote, the wooden horse of Dadaism...), Dević metaphorically raises awareness of various issues of a humanistic and ethical nature, because the time of shaken spirituality and growing technocracy requires a reexamination of existing criteria and values in all spheres, including the field of art. Breaking through the boundaries of the ordinary, Aleksandar Dević has created an opus that is extensive, authentic, meaningfully complex and enigmatic, and artistically precisely elaborated and refined. His works from the mid-19th century, which are a mixture of emotions and dreams, reality and reality, carry a latent mystery, enigma and metaphorical referentiality, making him one of the most original creators, certainly not only of the Niš but also of the national art scene.
The exhibition will run until November 10th.
https://youtu.be/VjD51G2J73o?si=iqO0YPpsVcmPh-MV
SELMA ĐULIZAREVIĆ EXHIBITION
SELMA ĐULIZAREVIĆ EXHIBITION
Selma Đulezarević – Karanović was born in Sarajevo in 1967. She studied at the Department of Art History at the Faculty of Philosophy in Belgrade. She graduated from the Painting Department of the Faculty of Fine Arts in Belgrade, in the class of Professor Milica Stevanović. She also completed her postgraduate studies at the same faculty in 1997. She earned a Doctor of Arts degree in painting under the mentorship of Professor Anđelka Bojović in 2012. She has been a member of ULUS since 1995. She currently works at the Faculty of Applied Arts in Belgrade as a full professor. She has had 34 solo exhibitions in Serbia, Montenegro, Bosnia and Herzegovina and Belgium. She has participated in numerous group exhibitions in the country and abroad. Her works are in the collection of the Belgrade City Museum, the Nadežda Petrović Gallery in Čačak, the Contemporary Gallery in Subotica and the Art Gallery of Bosnia and Herzegovina in Sarajevo.
In 2010, Selma Đulezarević Karanović participated in the Symposium of the International Organisation of Scenographers, Theatre Architects and Technicians in Istanbul, entitled Cultural Exchange Between East and West: Kaftan and Its Influence in Fashion. In the same year, she became a member of this organisation. The thematic framework of this symposium had a stimulating influence on her artistic work. Although she is a painter by vocation, she began researching the kaftan, a traditional shirt of the peoples and nationalities from the territory of the former Yugoslavia. Since the author herself comes from Bosnia and Herzegovina, more precisely from Sarajevo, she places emphasis on the urban costume, noticing various depictions and ornaments on the shirts of women of Jewish, Muslim and Christian faiths. One thing was common to all of them, and that was the beauty in the execution of various embroideries and weavings, as well as the dominant floral motif (rose, jasmine, tulip, lily of the valley,..). The importance of folk handicrafts, the richness of weaving in cotton, hemp and silk as well as embroidered decorations on clothing items, shirts, dresses, towels are sublimated in the new opus of Selma Đulezarević Karanović. Following the basic formal principles and patterns in the original embroidery, the artist paints and draws with textile paint floral decorations, song lyrics and messages. Collages made by combining different pieces of textiles have a special charm. This encounter of antiquity with objects of modern clothing creates new horizons not only of the aesthetic but also of the mental concept of a personal nature. The artist uses the white shirt from the folk costume as a metaphor for the permanent and the imperishable, as a symbol of the unbreakable bond of every woman with her mother, grandmother, great-grandmother, generations ago. As the artist herself says, with these works she makes a special kind of gratitude to our ancestors from whom we inherited a sense of beauty. We can freely say that our grandmothers turned manual labor from an everyday necessity into an individual pleasure and a means of expression. Women in domestic conditions, excluded from any socio-political influence and public life of that time, through this type of activity become the forerunners of today's emancipated women. Through various status or romantic messages ("Beauty is within us", "Housewives, talk less so your lunch doesn't burn", "Dew fell on the meadow, I gave my beloved my hand"...) Selma parries the traditional and contemporary position of a business woman, exposed to new global challenges. She has written the verses of Vera Nedić on her wedding towels, her shirts are called "Covid Depression", and her corsets are written with the names of antidepressants. Dresses, collages and other objects make the ambient installation entitled "Heritage-Burden" complex and multi-layered. Going through each segment of the aforementioned works, the artist gives us the opportunity to experience the past and heritage through the prism of the aesthetic, philosophical, material and immaterial segments of our individual and collective heritage, questioning our willingness to accept its weight.
https://www.youtube.com/watch?v=H_uPe1z9XnA
100 out of 1000 works from the collection of the Art Colony Sićevo
The second exhibition of the exhibition "100 out of 1000 works from the collection of the Sićevo Art Colony" will be available to the public from Thursday, September 19, at 10 a.m., at the Officers' House in Niš. The exhibition is of an international nature and consists of works created in the Colony between 1994 and 2024.
The Gallery of Contemporary Fine Arts Niš is organizing the exhibition "100 out of 1000 works from the collection of the Sićevo Art Colony" to mark the sixtieth anniversary of the regular holding of the Colony. The exhibition is designed to follow the chronological sequence of the Colony's existence, illustrating its basic characteristics (Yugoslav and international character, participation of artists of different vocations and stylistic orientations). Due to its large scale, the exhibition is being realized through two exhibitions. The first exhibition (from 29. 8 to 13. 9.) was of a Yugoslav character and included works created during the first three decades of the Colony. The second exhibition is of an international character, since since the beginning of the 1990s, artists from abroad have regularly participated in the work of the Colony. The exhibition is based on works by authors from Serbia and other countries (Japan, Canada, Sweden, Bulgaria...), which were created in the period from 1994 to 2024. The exhibition is also multimedia in nature, because in addition to works of traditional media (paintings, graphics, drawings), objects, video works and video installations are represented, since in the last couple of decades, artists who express themselves through the so-called new media have also been participants of the Colony.
The landscapes of the unique Sićevačka Gorge are a dominant inspiration and a constant artistic challenge for numerous authors. Each of them moved along the selected paths of their own visual poetics in the artistic re-creation of their experience of the gorge, using as an initial impulse a general impression, a panoramic view or just a fragment from nature (Kosta Bradić, Milena Jevtić Nićeva Kostić, Rada Selaković, Zoran Vuković, Miroslav Anđelković, Elizabeth Matje, Kenji Nagai, Branko Nikolov, Sonja Vukašinović, Rajko Popivoda, Jelena Šalinić, Due Martin, Katarina Đorđević, Ivana Stanković, Miroslav Lazović, Slavica Curk, Ljiljana Šunjevarić, the DimTim group...). A number of artists defined their impressions of their stay in the Colony through the symbols of the historical heritage of this region (Čedomir Vasić, Branimir Karanović, Zoran Grebenarović, Jelena Trajković, Vesna Knežević), while others, through works created in Sićevo, pointed to the antagonisms of current geopolitics, social reality, health situations or behavioral psychology (Zlatko Glamočak, Nina Kovačeva and Stefan Valentin, Zoran Veljković, Ivana Ivković, Milica Ruzić, Jovan Spasić, Ivan Milenković).
The author of the exhibition is Milica Todorović, museum advisor.
The exhibition will run until October 10.
Over the sixty years of regular maintenance of the Sićevo Art Colony, an impressive fund of artistic works has been formed, which currently has exactly 1,000 inventory units, of which 88 are kept in the National Museum and 912 in the fund of the Gallery of Contemporary Fine Arts. The most numerous in the collection of the Sićevo Art Colony are paintings (644), followed by graphics, drawings and works on paper (291), sculptures (33), photographs and works of new media (22).
https://youtu.be/jNuIHqy-Mfs
Djordje Djordjevic "Integrity"
Đorđe Đorđević "Integrity"
September 19 – October 14, 2024
After a long time, the artist Đorđe Đorđević will present himself to the public in Niš with an exhibition of paintings, entitled "Integrity". The exhibition consists of works from his current artistic production, including a number of this year's paintings. The exhibition will open on Thursday, September 19 at 7 p.m. in the Pavilion in Tvrđava.
Starting from the mid-1980s, Đorđe Đorđević's abstract painting opus has developed consistently, recording subtle shifts in terms of reducing the palette and repertoire of graphic symbols. Emphasizing the mental and emotional-expressive qualities of Đorđević’s creative personality, art historian Jovan Despotović notes his ability to disregard rules: “It allows him to maintain the pictorial scene in a consistent state in a justified compositional order, despite the risky process of crossing mutually exclusive principles of geometricism and gesturality in the same pictorial field…”.
With his recent painting, Đorđević offers resistance to the deafening hustle and bustle of everyday life. The basic element and unit of these compositions is the quadrangle, which embodies stability and harmony, but also neutrality and subordination to a larger whole. The gesturally treated surfaces, in comparison with the smaller monochrome fields, reflect the artistic principle of the unity of elements and the dominant, and this is also the thesis that the author examines on a semantic level. Therefore, transferred to the field of social relations, it is the principle of collective interests, which implies the discreet correction of the individual desires of the participants, the conscious surrender of part of personal dignity for the sake of the integrity of the community. In his autopoetic text, Đorđe Đorđević emphasizes that catholicity is an acute social need of the time in which we live.
Đorđe Đorđević was born in 1949 in Belgrade. He graduated from the Accademia di Belle Arti di Brera in Milan, Italy, in 1972. From 1974 to 1976, he designed textiles for the leather and textile factory "Viteks" in Visoko, near Sarajevo. He held twenty-five solo exhibitions in Serbia, Italy, Croatia, France, Montenegro and Austria and took part in a large number of collective exhibitions. His works are represented in several public and private art collections. He has been a member of ULUS since 1981, and in 1982 he received the status of an independent artist. He lives and works in Belgrade.
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